| T.A.05098 -
"Kristalltag"
|
||
| Location: | I. Private Residence | |
| II. Internet | ||
| Time: | 7th, 9th and 10th of November 1998 | |
| Type: | Event | |
|
|
||
| CONCEPT | ||
| On the theme: "Homeland -
Refugees - Kristallnacht"
|
||
| 1. The Past as the Foundation | ||
| 2. The Present as the Edifice | ||
| 3. The Future as the Roof | ||
|
|
||
| 1. The Past as the Foundation
|
||
| Herschel Grynszpan, a 17-year-old
Polish-German Jew, attempted to assassinate Ernst vom Rath, Secretary of the German
Legation in Paris, in the German Embassy on 7 November 1938. Two days later, vom Rath
succumbed to the two abdominal gunshot wounds. This assassination was a (welcome) trigger
for Joseph Goebbels to commence an arbitrarily-directed propaganda campaign against the
Jewish population. The pogrom which developed from this has been dubbed in human history
"Kristallnacht," an allusion to the numerous shattered glass shop windows. This
night of the 9th to the 10th of November 1938 can be considered as the real beginning of
the Holocaust.
|
![]() |
|
| The Past: Herschel Feibel Grynszpan was born in Hannover. He had been searching futilely for work and lodging since his 14th year. As a Jew, both were denied him. His application to enter Palestine was likewise rejected. In July of 1936, with a Polish passport and a German exit visa, he began a journey to relatives in Paris. When he heard that both the French and Germans were refusing entry to Jews, he entered France illegally via Brussels. Although his uncle guaranteed Herschels financial security and housing, he could not obtain a residence permit. On the 11th of August 1938 he was ordered by the French authorities to leave France within 4 days. As both his German visa and Polish passport had expired and could not be extended, he hid himself in a deserted garret, where from then on he had to live surreptitiously as a stateless person. Then an occurrence in the last days of October led to the act of desperation. Grynszpans parents, sister and brother, who were still living in Hannover were in a raid-style assault dispossessed by the Gestapo and driven from their home. With thousands of other Polish Jews they were transported to the Polish border. But as the Polish authorities still refused entry for Jews, the driven ones had to make camp in the cold, there on the border or in no-mans-land. Grynszpan was informed of this happening through the Jewish newspaper in Paris. A letter he received from his sister on the 3rd of November unleashed the spontaneous resolve to attempt an assassination. In the letter his sister described the familys suffering and begged him for financial help. (Details of the letter may be found on the Internet under http://www.roizen.com/ron/grynszpan.htm). Thereupon Grynszpan bought a revolver and went to the German Embassy on 7 November 1938 with the intention of making an assassination attempt on the life of the German Ambassador. This one was not present, however, so the third Secretary of the Embassy, Ernst vom Rathhimself a critic of the regime and under Gestapo observationbecame the victim of his attack. Vom Rath succumbed to his injuries two days later, on the 9th of November 1938.
|
||
| The coffin containing vom
Raths body was brought to Berlin on a special train. Along the rail line from the
French border to Berlin members of all the German parties stood shoulder to shoulder as a
mark of respect. "Never before has so much propaganda been made over a dead
person.(1)" Goebbels gave the appropriate Party functionaries a directive to organize "spontaneous demonstrations." In the directive the procedures to be followed were already laid out in detail. The outrages should be carried on until 5 oclock in the morning. The perfection in timing with which the destructive actions and the National Socialist press reactions to the assassination occurred gives rise to the suspicion that a pogrom of this magnitude had already been planned before the assassination took place. Across the entire German nation In the night from the 9th to the 10th of November 1938 synagogues were set afire, Jewish shops plundered and reduced to rubble. Nazi gangs forced their way into living quarters and house searches were carried out. Thousands of Jews were arrested (taken into "protective custody") and transported to concentration camps; many were killed. Later, the victims themselves were made responsible for the damage inflicted and required to make reparations amounting to millions. With that the real horror of the Holocaust had begun. |
||
| 2. The Present as the
Edifice
|
||
| An artistic event, constructed on
illustrative content in which the thematic concepts "Homeland,"
"Refugees" and "Kristallnacht" are
merged by the instrumentality of Gold. The revolver shots of 7 November 1938 and the
subsequent clatter of Kristallnacht on 9 November are abruptly unified sixty years later
by way of a sharp report followed by crackling, as of glass. This report, as the essential
Work itself, will be put on the Internet in the form of an audio file and therein
transported further.
|
||
| On the Present: The illustrative content of the event stems from the Internet. I found it on the Home Page of the "ShoaNet-Holocaust Biographien -G-." In it the initial reference to the book Kennzeichen J (Recognition mark "J") with the page-indication "98" determined the use of the motifa photo of Herschel Grynszpan at the time of his arrestfor the illustrative content. Subsequently the picture was "stolen online" by me and digitally processed in two steps. 1st Step: Replace black and gray with yellow |
||
|
|
||
| Here the color yellow does not
stand merely in a theme-oriented, historical context. Yellow stands for the reciprocal
relationship between yellow and gold, for the melding of the planes of perspective and
design. The picture content is used as a means of transport for Art, Time and Truth.
|
||
| 3. The Future as the Roof
|
||
| A 50 cm square, 1 cm thick panel
of laminated safety glass, one side covered with gold leaf, and composed of two such
sheets, each 0.5 cm thick, laminated together. The picture content is between the panels
beneath the gold leaf, thus not visible at the beginning. Production-conditioned stress is
present in the glassthe picture content and the the gold reflect this stress to the
exterior.
|
||
| On 7 November 1998 people who
themselves had suffered the fate of expulsion are invited to leave their traces on this
golden surface. As co-designers of a work of art, they will with their personal
tracksthe symbol of their passageplace upon it a positive sign which should
serve, together with future events, as an admonition for reason and tolerance. On this day
the golden surfaces shall be passed from town to town, from person to person.
|
||
| On 9 November 1998 a person
will start the next step in the creative process. With a forcible blow to the golden
surface the upper sheet of the safety-glass panel will be sunderedthe stress will be
released. A brief crackling will be heard from the hairline-thin fracture lines branching
out through the glass. The cracks starring out from the point of impact run through all
the traces, thus uniting them. Or, seen in reverse, the traces center themselves at the
impact point. The blow represents the stroke of destiny on all the expellees, the report
following unifies the shots of the assassination with the clatter of breaking glass in the
Reichskristallnacht. The location of the event should be a private home with some relation to the theme. A small circle of persons will be present. The intimate sphere of the home and the limited number of persons stand in polar contrast with the openness of the Internet and the global significance of the theme.
|
||
| Beginning At around 5 oclock in
the morning of 10 November 1998 this sound, as an actual work of art, will be
placed on the Net in the form of an audio file on the site "www.ta-art.com/kristalltag.htm."
This file can be and should be propagated via the downloading facility typical of the
Internet. It should find a place on the Home Pages of the world as a positive propaganda
symbol for "Never againneither on a small scale nor a large one." The title "Kristalltag" (Crystal Day) represents the darkness of the Night of Expulsion of the Past illuminated by the Golden Light of the Future. |
||
|
|
J. Angerbauer, October 1998 | |
Translation David Koblik |
||
| IDEA | ||
| KRISTALLTAG FILE | ||
| LINKS AND SOURCES | ||
[an error occurred while processing this directive] Insights since 14. Oct. 1998 |
||