T.A.05098 - "Kristalltag"

 

Location: I.   Private Residence
II.  Internet
Time: 7th, 9th and 10th of November 1998
Type: Event
 

 

CONCEPT

In DEUTSCH

On the theme: "Homeland - Refugees - Kristallnacht"

 

1. The Past as the Foundation
2. The Present as the Edifice
3. The Future as the Roof
 

 


1. The Past as the Foundation

 

Herschel Grynszpan, a 17-year-old Polish-German Jew, attempted to assassinate Ernst vom Rath, Secretary of the German Legation in Paris, in the German Embassy on 7 November 1938. Two days later, vom Rath succumbed to the two abdominal gunshot wounds. This assassination was a (welcome) trigger for Joseph Goebbels to commence an arbitrarily-directed propaganda campaign against the Jewish population. The pogrom which developed from this has been dubbed in human history "Kristallnacht," an allusion to the numerous shattered glass shop windows. This night of the 9th to the 10th of November 1938 can be considered as the real beginning of the Holocaust.

 

Herschel_Grynszpan_7.11.1938.jpg (11063 Byte)
The Past:

Herschel Feibel Grynszpan was born in Hannover. He had been searching futilely for work and lodging since his 14th year. As a Jew, both were denied him. His application to enter Palestine was likewise rejected. In July of 1936, with a Polish passport and a German exit visa, he began a journey to relatives in Paris. When he heard that both the French and Germans were refusing entry to Jews, he entered France illegally via Brussels. Although his uncle guaranteed Herschel’s financial security and housing, he could not obtain a residence permit. On the 11th of August 1938 he was ordered by the French authorities to leave France within 4 days. As both his German visa and Polish passport had expired and could not be extended, he hid himself in a deserted garret, where from then on he had to live surreptitiously as a stateless person.

Then an occurrence in the last days of October led to the act of desperation.

Grynszpan’s parents, sister and brother, who were still living in Hannover were in a raid-style assault dispossessed by the Gestapo and driven from their home. With thousands of other Polish Jews they were transported to the Polish border. But as the Polish authorities still refused entry for Jews, the driven ones had to make camp in the cold, there on the border or in no-man’s-land. Grynszpan was informed of this happening through the Jewish newspaper in Paris. A letter he received from his sister on the 3rd of November unleashed the spontaneous resolve to attempt an assassination. In the letter his sister described the family’s suffering and begged him for financial help. (Details of the letter may be found on the Internet under http://www.roizen.com/ron/grynszpan.htm). Thereupon Grynszpan bought a revolver and went to the German Embassy on 7 November 1938 with the intention of making an assassination attempt on the life of the German Ambassador. This one was not present, however, so the third Secretary of the Embassy, Ernst vom Rath—himself a critic of the regime and under Gestapo observation—became the victim of his attack. Vom Rath succumbed to his injuries two days later, on the 9th of November 1938.

 

The coffin containing vom Rath’s body was brought to Berlin on a special train. Along the rail line from the French border to Berlin members of all the German parties stood shoulder to shoulder as a mark of respect. "Never before has so much propaganda been made over a dead person.(1)"

Goebbels gave the appropriate Party functionaries a directive to organize "spontaneous demonstrations." In the directive the procedures to be followed were already laid out in detail. The outrages should be carried on until 5 o’clock in the morning. The perfection in timing with which the destructive actions and the National Socialist press reactions to the assassination occurred gives rise to the suspicion that a pogrom of this magnitude had already been planned before the assassination took place. Across the entire German nation In the night from the 9th to the 10th of November 1938 synagogues were set afire, Jewish shops plundered and reduced to rubble. Nazi gangs forced their way into living quarters and house searches were carried out. Thousands of Jews were arrested (taken into "protective custody") and transported to concentration camps; many were killed. Later, the victims themselves were made responsible for the damage inflicted and required to make reparations amounting to millions. With that the real horror of the Holocaust had begun.


2. The Present as the Edifice

 

An artistic event, constructed on illustrative content in which the thematic concepts "Homeland," "Refugees" and "Kristallnacht" are merged by the instrumentality of Gold. The revolver shots of 7 November 1938 and the subsequent clatter of Kristallnacht on 9 November are abruptly unified sixty years later by way of a sharp report followed by crackling, as of glass. This report, as the essential Work itself, will be put on the Internet in the form of an audio file and therein transported further.

 

On the Present:

The illustrative content of the event stems from the Internet. I found it on the Home Page of the "ShoaNet-Holocaust Biographien -G-."  In it the initial reference to the book Kennzeichen J (Recognition mark "J") with the page-indication "98" determined the use of the motif—a photo of Herschel Grynszpan at the time of his arrest—for the illustrative content. Subsequently the picture was "stolen online" by me and digitally processed in two steps.

1st Step: Replace black and gray with yellow
2nd Step: Set contrast and brightness at +79
(79 is the atomic number of the element Aurum—Gold)

Grynszpan_79.JPG (4054 Byte)
 

 

Here the color yellow does not stand merely in a theme-oriented, historical context. Yellow stands for the reciprocal relationship between yellow and gold, for the melding of the planes of perspective and design. The picture content is used as a means of transport for Art, Time and Truth.

 


3. The Future as the Roof

 

A 50 cm square, 1 cm thick panel of laminated safety glass, one side covered with gold leaf, and composed of two such sheets, each 0.5 cm thick, laminated together. The picture content is between the panels beneath the gold leaf, thus not visible at the beginning. Production-conditioned stress is present in the glass—the picture content and the the gold reflect this stress to the exterior.

 

On 7 November 1998 people who themselves had suffered the fate of expulsion are invited to leave their traces on this golden surface. As co-designers of a work of art, they will with their personal tracks—the symbol of their passage—place upon it a positive sign which should serve, together with future events, as an admonition for reason and tolerance. On this day the golden surfaces shall be passed from town to town, from person to person.

 

On 9 November 1998 a person will start the next step in the creative process. With a forcible blow to the golden surface the upper sheet of the safety-glass panel will be sundered—the stress will be released. A brief crackling will be heard from the hairline-thin fracture lines branching out through the glass. The cracks starring out from the point of impact run through all the traces, thus uniting them. Or, seen in reverse, the traces center themselves at the impact point. The blow represents the stroke of destiny on all the expellees, the report following unifies the shots of the assassination with the clatter of breaking glass in the Reichskristallnacht.

The location of the event should be a private home with some relation to the theme. A small circle of persons will be present. The intimate sphere of the home and the limited number of persons stand in polar contrast with the openness of the Internet and the global significance of the theme.

 

Beginning At around 5 o’clock in the morning of 10 November 1998 this sound, as an actual work of art, will be placed on the Net in the form of an audio file on the site "www.ta-art.com/kristalltag.htm." This file can be and should be propagated via the downloading facility typical of the Internet. It should find a place on the Home Pages of the world as a positive propaganda symbol for "Never again—neither on a small scale nor a large one."

The title "Kristalltag" (Crystal Day) represents the darkness of the Night of Expulsion of the Past illuminated by the Golden Light of the Future.

 

 

J. Angerbauer, October 1998

Translation David Koblik

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